In many ways, Rod Stewart and Cyndi Lauper proved to be well-matched tour mates with a great deal in common during their show on Saturday night at Charlotteâs Spectrum Center.
Both of them refused to act their age, for one. Opener Lauper â who turned 65 last month â leapt onto a loudspeaker while rocking out with her excellent 1984 cover of The Brainsâ âMoney Changes Everything,â then dropped to her knees to belt 1989âs âI Drove All Nightâ; while the 73-year-old Stewart literally sprinted onto the stage to open his much-longer set with an â80s hit of his own â âInfatuationâ â then later booted about two dozen autographed soccer balls to fans sitting in the far reaches of the lower level. (Note: As you probably know, he played as a kid and remains a huge fan of Celtic Football Club.)
Both of them needed a bit of time to warm into their voices: Stewartâs vocals on âInfatuationâ were rickety enough (and so drowned out by the band) that I worried how his night was going to go, but a full hour and a half later, his melodious rasp came through richly and brightly on an acoustic version of Van Morrisonâs âHave I Told You Latelyâ; Lauper, meanwhile, sounded uneven at the beginning but splendid by the time she got to monster hits like âTime After Timeâ and âGirls Just Want to Have Fun.â
Letâs see, what else? Well, they both trotted out new songs despite knowing how new songs from artists like Rod Stewart or Cyndi Lauper were likely to be received (best guess: by bathroom breaks) and â surprise! â those new songs were pretty catchy.
Oh, and they also both always have had and probably always will have wild hair.
Yet for all their similarities, they also proved quite different â and itâs not just the stark contrast between their native accents (Stewartâs is of course British, Lauperâs is as Noo Yawk as it gets).
For instance, Stewartâs most visible interaction with young people on Saturday night was a moment (right before launching into an exuberant rendition of his old rock band Facesâ hit âStay With Meâ) when he gently mocked a couple of 10-year-old girls in the front row who he noted âwere so bored stiff theyâre doing each otherâs hair.â A camera then cut to the kids, and they indeed looked bored stiff.
On the other hand, Lauper found a way to celebrate a pair of children: two musically inclined teenaged siblings she claimed to have discovered this week in Charlotte. The singer brought them out on stage and let one (a 13-year-old boy named Robert) play keys while the other (a 14-year-old girl who introduced herself as â and this spelling may not be correct, but â Mya) slowed down the first part of âGirls Just Want to Have Funâ and turned it into an achingly gorgeous gospel number before giving way to the star. (Iâd love to find out more about these kids, so if you know them, email me.)
But Lauper at times seemed frustrated by the crowdâs relative lack of enthusiasm for her hits. Midway through âGirls Just Want to Have Fun,â for instance, she waved off the band: âStop, stop. What? What is that? Come on! The kids are from your town, weâre singing your favorite song. Canât you breathe? Are you alive? Well, you gotta sing loud enough for them people over in Washington taking away all your civil rights so they can hear you!â Itâs possible this was a planned bit, but it didnât work â fans didnât seem to get much louder. (More on her politicizing in a minute.)
Stewart, on the other hand, had no problem getting practically the entire arena to sing along, at the top of its lungs, to crowd favorites like âYoung Turks,â âTonightâs the Night (Gonna Be Alright),â âForever Young,â and an acoustic version of âThe First Cut Is the Deepest,â to name just a few.
Incidentally, after wrapping up the latter track (which my wife and I had listened to on the way to the show and which she remarked afterward sounded even better live), Stewart noted that Cat Stevens and Sheryl Crow both had also recorded that song. Then he joked that âneither version is quite as good as mine.â
Thatâs a bit of self-absorption that I could laugh at. I found it off-key, though, when Stewart dedicated Scottish-influenced staple âRhythm of My Heartâ âto all the soldiers that have fought for freedom over the years and are still fightingâ … then proceeded to brag that the video that would play behind him during the song (which was mostly archival footage of and headlines about World Wars) would feature âyour old pal here getting knighted by Prince William.â It did. Iâm not sure why, as that doesnât make him a soldier.
Lauper had her own awkward moment when she went out into the crowd to sing her new song âHope.â She was across the arena from my seats, so I couldnât tell exactly what happened, but multiple fans reported that a fan threw a drink on her while she was singing while moving through the lower level; the person was promptly ejected by security, they said.
When she got back onstage, Lauper spent several seconds wiping off her jacket with a small towel and referenced âsome poor (expletive) up there. (Unintelligible) he thought he was Robin Williams (unintelligible). Except Robin was actually funny. Alright, never mind.â
It apparently didnât shake her up too much, though: She left the stage again a few songs later, to sing 2002âs âShineâ while standing on folding chairs in the floor section.
Stewart, on the other hand â though heâs been known to frequently run out into the crowd during his hugely successful âRod Stewart: The Hitsâ residency shows at The Colosseum in Las Vegas â didnât leave the stage Saturday night unless it was to change costumes.
Speaking of that residency, it definitely seemed as though Stewart has packed this tour with resplendent touches that were inspired by and/or borrowed directly from his Vegas show: four costume changes that featured the headliner in increasingly garish jackets and increasingly tight pants; six male band members in suits plus six showgirls-style female backup singers/dancers/musicians in bright-red lipstick and revealing mini-dresses; and a massive, colorful balloon drop during 1979 hit âDa Ya Think Iâm Sexyâ right near the end of the show.
On the other hand, Lauper stayed in the same black leather pants and the same blazer with the giant eyes stitched onto it throughout her set; employed a female drummer and a female guitarist who looked like rockers and not eye candy; and chose to drop political statements instead of confetti.
It was actually kind of jarring, to have Lauper espousing feminism and trying to lift up women and talking about how she âburned her training bra at the first (womenâs rights) demonstrationâ at one point in the show, then at another, seeing Stewart take a black bra that had been tossed on-stage during âMaggie Mayâ and twirling it around on his finger with a big silly grin on his face. He also joked, awkwardly, that âpeople often ask me, do you have orgies and things like thatâ with the âgorgeous ladies in the band?â
But even that wasnât as uncomfortable as this: Lauper interrupted the final chorus of âTrue Colorsâ to raise a fist and say: âTo the young people that got mad and decided not to vote. How happy are you now?â I heard a smattering of cheers, but I also heard one audience member shout back, âVery happy!â
Anyway, by this point, you might be confused about whether or not I liked the show, so Iâll say this: They both looked great, sounded great and moved great. They made smart song choices. Their bands were on point.
And for better or worse, as the night wore on, I couldnât wait to see what might happen next.
ROD STEWARTâS SETLIST
1. âSoul Fingerâ (The Bar-Kays cover, without Stewart)
2. âInfatuationâ
3. âHaving a Partyâ
4. âYoung Turksâ
5. âTonightâs the Night (Gonna Be Alright)â
6. âRollinâ and Tumblinââ (Hambone Willie Newbern cover, with Cyndi Lauper)
7. âForever Youngâ
8. âRhythm of My Heartâ
9. âMaggie Mayâ
10. âThereâs a Hole in My Heart Where You Used to Beâ
11. âDowntown Trainâ
12. âThe First Cut Is the Deepestâ
13. âYouâre in My Heart (The Final Acclaim)â
14. âGraceâ
15. âHave I Told You Latelyâ
16. âNutbush City Limitsâ (Ike & Tina Turner cover, without Stewart)
17. âStay With Meâ
18. âDa Ya Think Iâm Sexy?â
Encore:
19. âSailingâ
CYNDI LAUPERâS SETLIST
1. âI Drove All Nightâ
2. âShe Bopâ
3. âAll Through the Nightâ
4. âHopeâ
5. âThe Goonies âRâ Good Enoughâ
6. âMoney Changes Everythingâ
7. âShineâ
8. âTime After Timeâ
9. âGirls Just Wanna Have Funâ
10. âTrue Colorsâ
Reproduced with thanks to Théoden Janes
This article was first published in The Charlotte Observer for more pictures and original review go to https://www.charlotteobserver.com/living/liv-columns-blogs/theoden-janes/
Photo Joshua Komer